Feature: Brian Oliu


The Permanent Ache by Gary J. Garrison
“Last week we put out cigarettes on our wrists…”

A Woman Should Have Legs by Robyn Goodwin
“The problem with Nancy’s suicide attempts was that nobody knew about them…”

Mostroferrato, Ancient Stronghold of the Briscoletti Family by Sam Martone
“Go south to a town with a tower towering beside it…”

Accidents by Ian Riggins
“Simple wooden things, painted white, with the usual assortment of bouquets and wreaths—the crosses stared up at me…”

Her Last Friday by Lucas Southworth
“Three months ago, the girl had three months to live…”

To the Wall by Holly M. Wendt
“The inside of her car bakes…”



Justice by Alyce Miller
“On a cold snowy Sunday afternoon, two days after Christmas in 2009…”

The Pine Tree by Joy Weitzel
“Pollen from the male pine cone will drift with the wind, hoping to reach a female pine cone…”



Mix-tape (#4) With the One I Still Haven’t Learned the Lyrics to by Mark Jay Brewin Jr.
“I couldn’t tell you how early I learned and lost the words…”

Jack Listens to the Language People Use by Kevin Brown
“When Wendy told us she had lost her…”

French Carousel by Susana H. Case
“Midnight in Paris, the party scene at the …”

Let there be spaces in your togetherness by Susana H. Case
“Let there be spaces in your togetherness…”

Imaginary Waltz with a Woman Wearing a Dress of Virga by Christopher Petruccelli
“Her silhouette is caught between windows and hanging …”

The Heron Rookery by Timothy Shea
“Now that the storm clouds have settled like sleeping dogs above the pasture…”

The Haircut by Timothy Shea
“While I know this road is not my river…”

Feature Issue:

The Suburbs



Death Row Report by Dale M. Brumfield
“In 1992, my father toured Richmond, Virginia’s old Spring Street Penitentiary…”

Invalids. Girlfriends. Beer. by Brenna Horrocks
“I needed a change of tempo…”

Lights by Matthew Zanoni Mṻller
“On Saint Martin’s Day in Germany the children would go into the dark woods…”

Bret Hart & the Finished Dungeons of My Youth by Brian Oliu
“Legends are born here: of sweat soaked vinyl & broken bones…”



Bloom by Kate Bolton Bonnici
“I stepped on a dead squirrel…”

Afternoon Heat Wave, Northern California: Lament for the Gulf Coast by Kate Bolton Bonnici
“Here, heat steals in—no air conditioning…”

Bret Hart & the Finished Dungeons of My Youth


Legends are born here: of sweat soaked vinyl & broken bones, of holes in the sheetrock, of elbows fitting into eye sockets. I am having difficulty telling you these things because of what happens to fat boys with kind hearts in basements; that you could kill all of them if your heart was blacker—you could twist an arm until it popped. You could ruin all of the fun. It is a secret down here, our bellies full of corn syrup, of taunts, of how you took the biggest slice. It was your mistake to wear these clothes. You should’ve known that something like this could happen—fabric tearing around the neck, a scratch on the shoulder. You know this is fake, right? You know the fix is in, yes? & it is; this is not your house—your pictures are not the ones on the wall. You are underneath somewhere you’ve never been & this is what is expected of you— there is no room for a television in your basement, among the paint cans & saw blades. There is no room for any of this there: someone could get hurt—no carpet over concrete, just a slight sparkle amongst the gray.

In other dungeons, we roller-skated: we minded the load-bearing poles, we whipped around in circles when it was hot outside, when the sun was too much for us to hold. In other dungeons, we watched your excellence—how your glasses were always rose-colored to hide your nervousness, how we learned to fear the color pink. You, off the second rope instead of the third. You with the ax handle. I, too, cannot look anyone in the eye. I, too, am afraid of heights. I, too, wish to build something stronger than who I am, instead of being ripe for the pummeling: skinny elbows striking my shoulder, myself a dumb, soft ox not knowing how to stay down.

Here, underneath, there are no windows & you cannot save me: you cannot execute, you cannot aim, you cannot lock on. In a world of hulks & giants & the undead, you were the least believable—a man from a place with three names, a man in leather, a man whose claim was timeless. You, the humble hero. You, refusing to be a cowboy because you knew no stampede. You, king of the oubliette, graduate of the dungeon.

Here is a promise that I can keep: I will return to the basements of my youth. I will reclaim the walls. I will pretend to understand what this all means: that to be under something is more than to be something, that here I can be a king, that here I can be a monster with wings and skull teeth. I can be timeless. That when the children jump from staircases onto my back I can shrug them off, grab the back of my back & stumble into a corner to buy myself some time before coming back with a quickness—that I can tell a story with these aches, that I am pretending I am hurt when I am not. These children, they watched you too: I have seen how they shield their eyes; I have seen how they turn good men bad. Nobody in the building cares, yet everyone knows that I cannot be heartless; that I cannot break your back like a pendulum. I cannot tell you that your brother will be dead in ten months. I cannot tell you that this will end suddenly. I cannot tell you that this wasn’t all part of the plan.

When I come to, I am standing over you—your legs-locked, your back twisted, your head being ground into the carpet. It is your birthday; there are photos to be taken, there are cupcakes to be brought into school on behalf of you making it this far. The floor is burning your cheek. You have given up & I refuse to hear the bell. Wrestling is not real. The blood vessels in your eyes have burst. If I could just get home. If I could just survive the night. If I could put them all to sleep. None of this is real. If I could just get home. You cannot pretend that you have won, that there is a bell ringing, that you are the champion of anything. None of this is real: we have no time for finishing. All of the houses have been sold—the machines disassembled, the walls patched. I now live in a place where there are no basements—what we are left with are concrete slabs, pits of red clay, single stones holding the weight of timber. There are no holes. There are no crawlspaces where secrets live.

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