ISSUE 3.1
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Still Life with Pronoun and Scalpel
With this blade, I must trim you
from the meat of my stories. Now
I will stand next to a genderless friend
watching Prince strip Little Red Corvette
down to one unplugged guitar. I water down
the weekend we spent on Topsail Island
until it’s me, a mixtape, and an indefinite
pronoun riding shotgun. Every plural
becomes singular—no one remembers
the motel room in Columbus
whose reek of secondhand smoke
and lavender potpourri
would not wash from my hair. It is like
tearing the ligaments that bind my arm
to its socket. Look how biography
dangles useless at my side. I’ve got to dodge
the discrepancies, stop talking so much,
lean away from where your collarbone
should be. I’m re-recording those years
and saving the sound bites. Let me believe
it can be clean. I keep having that nightmare
where all my teeth fall out when I tap them,
which is supposed to mean
I’ve allowed things to slip from my mouth
that I should have held in. My neighbor says
that a dream of losing teeth
means you are telling lies and I grin back
with empty gums. These revisions
are labored, like your breathing
when we climbed Chimney Rock,
which of course is a fiction
because I was there alone,
no lover on the radar at all.
Christina Stoddard
Christina Stoddard is the author of HIVE, which won the 2015 Brittingham Prize in Poetry (University of Wisconsin Press). Her work has appeared in Iron Horse Literary Review, storySouth, Tupelo Quarterly, DIAGRAM, and Spoon River Poetry Review. Originally from the Pacific Northwest, Christina lives in Nashville, TN where she is the managing editor of an economics and decision theory journal. Visit her online here. and on Twitter at @belles_lettres.