Mrityunjay Mohan
Hair
A braid hangs down my head
Drips down my left shoulder like a wound
In the womb of my mother
I was given an ultimatum
To be a woman or to die
The umbilical cord held me until
It was chopped, and a pathway was opened
In my navel
The spot still bleeds
In doctor visits, they say it’s still open
Still breathing, still bleeding
It is still waiting for Amma’s approval
It is still waiting for the blood that fed me
Amma is clueless
She doesn’t know that I am to not live
That in case I die, I have a letter written on hand
Water undulates like sound spilling into the ear
And Amma doesn’t understand that
My skin was never mine, that
I am soulless, that
When I breathe, the open pathway in my
Belly button breathes with me, that in
Stories, I never see boys like me with
Open pathways and misspelled names, with
Genitals that bleed every month for a
Womb I want gone, with
Eyes that color themselves anew after every tear shed, with
Skin that turns every night, and still looks the same in the mornings
Is the body I rent mine at all
It is like there is a looming landlord waiting
To take it back, like
There are little fences held around the home of my flesh, like
Any man can move them, like
My organs are little wooden figurines that can be
Moved to will like a toy kitchen set
My mind can be cooked, I swear
My thoughts can be held in a pot of water
The braid is coiled rope
It becomes a noose until I
Chop it off like the umbilical cord that once
Held me in my mother’s
Womb, my navel still
Bleeding
Mrityunjay Mohan is a queer, trans, disabled writer of color. Mrityunjay’s work has been published or is forthcoming in The Michigan Quarterly Review, The Indianapolis Review, Oyster River Pages, The Masters Review, and elsewhere. He’s been awarded scholarships by Sundance Institute, Tin House, The Common, Frontier Poetry, and elsewhere. He was a Brooklyn Poets Fellow. He was a semi-finalist for the Copper Canyon Press Publishing Fellowship. He has worked as a guest editor, a reader, and an intern at various literary journals. Currently, he’s an editor for ANMLY, and he’s a reader for the Harvard Review and The Masters Review.