ISSUE 13.1
FALL 2025
welcome
issue contents
> fiction
> nonfiction
> poetry
> art
contributors
interviews
our editors
Marlo Scheitler
Is she adopted?
My daughter, my first born, 6 months old with fair skin, my kin.
Fairer than the white women who stare, examine and question
her skin with my features, my features with her skin
as if together they are a sin.
Race-related assumptions behind the implications.
We don’t “match” preconceived notions of what my family should look like.
Silently questioning what kind of daughter, I can produce
with these thighs, with these hips, with these lips
that tickle her sweet little cheeks while I bounce her on those cute little feet.
So, they ask, as if the answer will give them closure.
A puzzle their minds just can’t put together.
How can they dare? They don’t care about us.
They don’t know me, but they could have known me.
In the past, they could have owned me.
Therein lie their problems and explains why they feel entitled to solve them.
So, I answer, “After 30 hours of labor it’s safe to say she’s mine.”
Marlo Scheitler is inspired by issues of diversity, equity, and inclusion. Marlo’s poetry addresses racial identity, social justice, and personal resilience, offering a powerful and heartfelt reflection on contemporary struggles and strength. Her poetry is power—the power to engage, heal, and unite by providing fresh perspectives. Since February 2025, her ekphrastic poetry contest finalist piece, “Dance of the Ladyfingers”, has been on display at Southminster Art Gallery in Charlotte, NC. Her poem, “Steps”, a winner of the NC Poetry Society’s “Poetry in Plain Sight” contest, is forthcoming in January 2026. Find her passionately building connections of community through poetry by hosting monthly “Poetry Night Out” events.
